There are so many fantastic things I could say about this movie. I love the "play within a play" device that the film uses to contrast the propagandist drivel of the drama club's production with what happens to Chai Chi; very Shakespearean. The drama club production places the struggle against the Japanese in the countryside and implies it's led by rural farmers, and relegates women to a supporting role. In reality, we see that Chai Chi puts herself in great danger and sacrifices herself in every way, while the men in the resistance effort can't seem to get their act together. The film as a whole is memorable for its nuanced performances, stark sensuality, masterful art direction, and compelling story.
The more serious stuff aside, how about those fabulous period costumes? Shanghai chic for the upper classes seems to consist of extravagant fine jewelry (a 6-carat diamond ring has a cameo), silky qipao dresses, and Western-style trenches, hats, mid-heel shoes, and oversize leather clutches. I love the sophistication of Mak Tai Tai's look. If I ever leave tech writing and join CSIS, I'd love to look half as good as she does while on the job!
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This is really Ang Lee at his best. This film, "Pushing Hands," and, "Eat Drink Man Woman" are what made me like Ang Lee so much. His other films are excellent but these three films are very unique and memorable.
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